Tracy Barnett
| April 2014
It was a long time coming – but it was worth the wait. Nearly two years ago, more than a dozen of Mexico’s biggest performing artists came together in a mega-event aimed at saving Wirikuta, one of the country’s most sacred sites, from devastation at the hands of Canadian gold and silver mining operations. It was a triumphant moment for the indigenous Wixarika people and for indigenous movements in general when, as the daylong festival came to a close, they were invited to come up on stage. A massive screen flashed images of traditional Wixarika beadwork behind them as 60,000 fans chanted, in unison, “Wirikuta no se vende! Wirikuta se defende!” (Wirikuta is not for sale! Wirikuta will be defended!)