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| February 2008
The following exhibit can be applied not only to Wixárika (Huichol) but to any indigenous language, and is particularly dedicated to those indigenous languages in danger of becoming extinct. Only due to contextual and regional reasons have we decided to describe it and compare it in this manner. Furthermore, we are not trying to say that the Wixárika language is inferior to Spanish, to the contrary, we intend to make a fitting reflection regarding the preservation of indigenous languages. Let us thus begin.
| February 2008
The following exhibit can be applied not only to Wixárika (Huichol) but to any indigenous language, and is particularly dedicated to those indigenous languages in danger of becoming extinct. Only due to contextual and regional reasons have we decided to describe it and compare it in this manner. Furthermore, we are not trying to say that the Wixárika language is inferior to Spanish, to the contrary, we intend to make a fitting reflection regarding the preservation of indigenous languages. Let us thus begin.
| January 2004
The Wixarika tradition is rendered by three different terms: the first refers to our heart/ memory, tayeiyari- the second to how we develop, tanuiwari- the third to our life, tatukari, is transmitted by families, reinforced by communal living on extended family ranches and through clans at ceremonial centers, tukite (tukipa, sing.). Three places serve as the headquarters for what appear to be distinct Wixarika subgroups, with ritual and dialectical variants.
| January 2004
The Wixarika tradition is rendered by three different terms: the first refers to our heart/ memory, tayeiyari- the second to how we develop, tanuiwari- the third to our life, tatukari, is transmitted by families, reinforced by communal living on extended family ranches and through clans at ceremonial centers, tukite (tukipa, sing.). Three places serve as the headquarters for what appear to be distinct Wixarika subgroups, with ritual and dialectical variants.
| January 2003
The nierika is represented among the Huichol Indians of northwestern Mexico as a focal point on which powerful beings concentrate their energy. This may be as primordial as a well-crafted deer snare that induces the sacred animal’s willing self-immolation. It can be a symbolic spider’s web or threads attached to a wooden loop.
| January 2003
The nierika is represented among the Huichol Indians of northwestern Mexico as a focal point on which powerful beings concentrate their energy. This may be as primordial as a well-crafted deer snare that induces the sacred animal’s willing self-immolation. It can be a symbolic spider’s web or threads attached to a wooden loop.
| January 2003
After independence was achieved from Spain in 1810, the laws of the reform passed under Benito Juárez during the 1850’s, restrained the power of the Catholic Church, but they also stopped recognizing Indian colonial land rights. Soon the Huichol, Cora, Tepehuano and Mexicanero Indian groups of the Western Sierra Madre were further dispossessed of their territory by their mixed blood neighbors. They rebelled, eventually uniting under Manuel Lozada, who joined French invading forces until they were stopped at Guadalajara, Jalisco, in 1873.
| December 2001
Article written by anthropologist Jay Courtney Fikes in conversation with Wixárika mara’akame, Catarino Carrillo. "In 1996 I made my first visit to the Huichol community of Tuxpan de Bolaños. There I began developing rapport with an eighty year old shaman who we will call Catarino. Catarino has been kind enough to share many details about his life, including the explanation (below) of how he became a shaman."
| January 2000
"The Huichol are best known for their strikingly vivid, and colorful, yarn paintings and beadwork. However, few people know or understand the depth of this pre-Colombian culture. This book is just a brief overview of some answers to some of the questions I am asked of these interesting people." Peter Collings
| January 2000
"The Huichol are best known for their strikingly vivid, and colorful, yarn paintings and beadwork. However, few people know or understand the depth of this pre-Colombian culture. This book is just a brief overview of some answers to some of the questions I am asked of these interesting people." Peter Collings