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| January 2004
The Wixarika tradition is rendered by three different terms: the first refers to our heart/ memory, tayeiyari- the second to how we develop, tanuiwari- the third to our life, tatukari, is transmitted by families, reinforced by communal living on extended family ranches and through clans at ceremonial centers, tukite (tukipa, sing.). Three places serve as the headquarters for what appear to be distinct Wixarika subgroups, with ritual and dialectical variants.
| January 2003
The nierika is represented among the Huichol Indians of northwestern Mexico as a focal point on which powerful beings concentrate their energy. This may be as primordial as a well-crafted deer snare that induces the sacred animal’s willing self-immolation. It can be a symbolic spider’s web or threads attached to a wooden loop.
| January 2003
The nierika is represented among the Huichol Indians of northwestern Mexico as a focal point on which powerful beings concentrate their energy. This may be as primordial as a well-crafted deer snare that induces the sacred animal’s willing self-immolation. It can be a symbolic spider’s web or threads attached to a wooden loop.
| January 2003
After independence was achieved from Spain in 1810, the laws of the reform passed under Benito Juárez during the 1850’s, restrained the power of the Catholic Church, but they also stopped recognizing Indian colonial land rights. Soon the Huichol, Cora, Tepehuano and Mexicanero Indian groups of the Western Sierra Madre were further dispossessed of their territory by their mixed blood neighbors. They rebelled, eventually uniting under Manuel Lozada, who joined French invading forces until they were stopped at Guadalajara, Jalisco, in 1873.
| December 2001
Article written by anthropologist Jay Courtney Fikes in conversation with Wixárika mara’akame, Catarino Carrillo. "In 1996 I made my first visit to the Huichol community of Tuxpan de Bolaños. There I began developing rapport with an eighty year old shaman who we will call Catarino. Catarino has been kind enough to share many details about his life, including the explanation (below) of how he became a shaman."
| January 2000
"The Huichol are best known for their strikingly vivid, and colorful, yarn paintings and beadwork. However, few people know or understand the depth of this pre-Colombian culture. This book is just a brief overview of some answers to some of the questions I am asked of these interesting people." Peter Collings
| January 2000
"The Huichol are best known for their strikingly vivid, and colorful, yarn paintings and beadwork. However, few people know or understand the depth of this pre-Colombian culture. This book is just a brief overview of some answers to some of the questions I am asked of these interesting people." Peter Collings
| May 1998

This article was co-written by longtime intellectual collaborators, Juan Negrín and William Meyers, based on a journey they took together to Wixarika territory and ongoing conversations they shared about comparative spirituality, religion, and studies on shamanism. The article is illustrated with photographs taken by Juan Negrín and was published in New York City's long running Free Spirit magazine that Meyers served on.

| May 1998

This article was co-written by longtime intellectual collaborators, Juan Negrín and William Meyers, based on a journey they took together to Wixarika territory and ongoing conversations they shared about comparative spirituality, religion, and studies on shamanism. The article is illustrated with photographs taken by Juan Negrín and was published in New York City's long running Free Spirit magazine that Meyers served on.

| December 1990

This article was written by Alberto Ruz Buenfil (11 September 1945– 7 December 2023) was a Mexican writer and activist whose work is dedicated to environmental sustainability, and the performing arts. He co-founded two international  theater groups as well as Mexico's first  ecovillage, known as Huehuecoyotl. This article was written for the U.S. based High Times magazine after Ruz Buenfil accompanied a camera crew from the Canadian Broadcast Corporation that was documenting a Wixarika pilgrimage to Wirikuta from the community of Tateikié.